viernes, 27 de junio de 2014

Special




                      Klaus Kampert

NIHIL STH


See more at http://cromoforalapalomaonlinegallery.blogspot.com.es/2014/01/nihil-sth.html

JEAN BöRLIN





Jean Börlin, born in 1893 in the northern Swedish coastal town of Harnösand, was five years younger than Rolf de Maré. The two young men were from quite different class-backgrounds and as personalities differed in the extreme. Jean was blond, open, happy and childish; Rolf reserved, strict and serious yet they had one thing in common - their sexual orientation. Further each felt he had been betrayed by his mother. Rolf because of his mother's divorce; Jean because his mother left her husband who was a sea captain. She took Jean to Stockholm, left him with her brother and then disappeared from the life of her son until many years later after he had become famous. She knew her brother's family had artistic interests and would encourage her son's talents. By the age of eight Jean was a pupil at the Opera ballet school in Stockholm.

Thanks to a "schism" between the Russian choreographers Michel Fokine and Sergei Diaghilev, Fokine was engaged as a guest choreographer at the Opera ballet. Instead of following the hierarchical ranking system, Fokine chose those dancers he thought best suited to the role. In this way Jean Börlin along with other young dancers in the corps de ballet, were given a chance to dance leading roles. But the enthusiasm that Fokine had aroused in the young dancers received no outlet and led to discontent. Jean Börlin tried to keep the flame alive through his own performances, and during the summers of 1915 and 1916 he did extensive tours of the Swedish provinces.
Fokine left Russia in 1918 and he along with Börlin were guests at de Maré's country house that spring. Jean received lessons during the summer months from Fokine while in Copenhagen where he appeared successfully in guest ballets. Börlin went to Paris where he was met by Nils Dardel and introduced to his friends, including Picasso. Rolf arrived in Paris and took Jean off to a study-tour of Spain and north Africa.

After the formation of the Ballets suédois a relation warned him in a letter of a witch hunt in Sweden including possible mudslinging and blackmail. Apart from homophobia another reason for the hatred was the fact that de Maré's company bled the Royal Opera of its leading young dancers. This letter was written after the publication of the scandalous article in The Fatherland. The slanders continued even after the Ballet Suédoise closed. Among Nils Dardel's friends in Paris were Jacques Hébertot, a newspaper and theatre man. Since the Theatre des Champs-Elysées happened to be free de Maré bought the lease and appointed Hébertot director. Among the enthusiastic supporters of the new Ballets suédois was Jean Cocteau who became one of their foremost PR men.


Aesthetic development


At the première ( October 25 1920) Börlin presented no less than four ballets with five more the following month.
In the five years of the company's existence he created 24 ballets plus a number of solo compositions - and danced the leading role in all of them. No one was permitted to cast a shadow over de Maré's star - which led to the departure of several ballerinas. The dancers of the company did not go along with the extra-ordinary aesthetic development, and said they felt more like stage-props than dancers as in Leger's La Creation du Monde. But even on a pure aesthetic basis the radicalism could not be carried further. This plus the near ten million Swedish crowns de Maré had lost in the venture brought a final dismal performance on l7th March 1925. Not only his grandmother but even his estranged mother helped him out on this occasion.

Another reason for de Maré's decision was Börlin's health. After only two years of almost super-human creative activity signs of over-exertion had revealed themselves. A reliance on drugs and alcohol developed, and the effects were fatal. Never very slim he began to put on weight. Börlin became irritable and unpredictable and the cumulative effect led to de Maré's reaction.
Börlin was bitter about de Maré's decision. The bitterness became personal and Börlin was replaced in Rolf's affections by a young man named André Daven. Börlin - out in the financial cold - toured with two female dancers from the company - mainly at hotels and ended up at a casino in South America notorious for its prostitutes.

6th December 1930: Börlin's heart gave up the struggle. In his hand was the last letter from Rolf. Börlin was buried at his own wish in the cemetery of Pére Lachaise in Paris in January l931. He was 37.

,,I envy the painters," Börlin once wrote, "their works are immortal."

Based on part of a text by Erik Näslund


Carina Ari dans la danse d’Anitra, Divertissement, 1921


EDWARD ROBERT HUGHES













Erotic Poem/ short stories book AURICA Crownfunding by Paloma de la Torre ( Cromofora La)

In order to get the Erotic Poem/ short stories book AURICA by Paloma de la Torre ( Cromofora La) paper printed -a cosiderable amount- it will be availabe/ disponible soon as crownfunding. For any furher information/ información don't hesitate to contact at palomad1@hotmail.com.

For those who ask for a copy: please, you will get a limited edition as soon as I can have it printed. Thanks for your undrestanding and everlasting support!

Para disponer de una cantidad considerable de mi libro Erótico de poemas/relatos AURICA impreso en papel haré un Crownfunding pronto. Para mas información contactar a palomad1@hotmail.com

Quienes están a la espera de una copia: pronto la tendréis en edición limitada. Gracias, por vuestra comprensión y apoyo incondicional!

Paloma de la Torre ( Cromofora La)c



✿♥‿♥✿


* El azúcar es la Anestesia / Sugar is the Anesthesia



Collaboration Costa Dvirezky/Paloma de la Torre ( Cromofora La)

THE KISS
Como si fuera el mar
Bajo el templete de tu cuerpo,
Las olas dichosas mecían...
Mientras yo invocaba
En el ritmo de tu cuerpo,
Me fundía...


As if the sea
Under the temple of your body,
The waves rocked blissful ...
While I invoked
In the rhythm of your body,
I melted ...

Poem by Paloma de la Torre ( Cromofora La ) c
Painting by Costa Dvorezky



Poem book AURICA availabe/ disponible soon as crownfunding. For furher information/ información  contact at palomad1@hotmail.com
http://cromoforalapalomaonlinegallery.blogspot.com.es/2013/11/costa-dvorezky-kiss.html